1 00:00:07,460 --> 00:00:09,789 WELL, KITCHEN IS CLEAN. 2 00:00:09,790 --> 00:00:11,749 (yawns) I'M TIRED. 3 00:00:11,750 --> 00:00:13,379 - OOH, I'M NOT. - YEAH, ME NEITHER. 4 00:00:13,380 --> 00:00:15,119 MY YAWNING WAS CODE FOR LET'S GET UPSTAIRS. 5 00:00:15,120 --> 00:00:18,499 OH, I'M SORRY, BUT I'M HOSTING BOOK CLUB TOMORROW. I'VE GOT TO FINISH THIS. 6 00:00:18,500 --> 00:00:20,789 - DIDN'T YOU ALREADY READ THAT BOOK? - YEAH, TWICE. 7 00:00:20,790 --> 00:00:23,169 YOU REALLY NEED TO READ LOVERS IN BONDAGE MORE THAN ONCE? 8 00:00:23,170 --> 00:00:25,379 WHAT PART OF THAT BOOK WAS UNCLEAR? I MEAN... 9 00:00:25,380 --> 00:00:28,329 HE DELIVERS THE PIZZA, SHE DOESN'T HAVE ENOUGH MONEY TO PAY FOR IT, 10 00:00:28,330 --> 00:00:29,960 THEY WORK SOMETHING OUT. 11 00:00:31,120 --> 00:00:33,419 HA HA HA, GET ALL YOUR SNARKY COMMENTS OUT NOW. 12 00:00:33,420 --> 00:00:36,039 ONE OF THE GIRLS IN OUR BOOK CLUB KNOWS THE AUTHOR. 13 00:00:36,040 --> 00:00:38,289 NOELLE DEVEREUX IS GONNA BE IN OUR HOUSE 14 00:00:38,290 --> 00:00:39,619 - TOMORROW NIGHT. - (gasps) 15 00:00:39,620 --> 00:00:41,169 SHE'S GONNA BE HERE IN OUR HOUSE? 16 00:00:41,170 --> 00:00:43,999 IS SHE GONNA BE DOING A Q&A 17 00:00:44,000 --> 00:00:46,579 OR IS SHE JUST GONNA BE EXPLAINING IN VIVID DETAIL HOW TO PUT A CUE... 18 00:00:46,580 --> 00:00:48,000 IN AN A? 19 00:00:49,460 --> 00:00:52,459 LOVERS IN BONDAGE IS ONLY THE BEST-SELLING BOOK IN THIS GENRE 20 00:00:52,460 --> 00:00:55,329 SINCE 50 SHADES OF GREY. SO BEFORE YOU JUDGE IT, YOU MIGHT WANT TO READ IT. 21 00:00:55,330 --> 00:00:58,119 MAY I? MIND IF I JUST TAKE A QUICK LOOK? 22 00:00:58,120 --> 00:00:59,880 LET'S SEE HERE. 23 00:01:01,040 --> 00:01:03,619 "AS DEREK EXPERTLY NIBBLED MY BELLY BUTTON, 24 00:01:03,620 --> 00:01:05,670 MY EYES ROLLED BACK IN MY HEAD." 25 00:01:06,750 --> 00:01:08,249 SOUNDS LIKE THE EXORCIST. 26 00:01:08,250 --> 00:01:10,750 SURE, IT'S EASY TO MAKE FUN IF YOU TAKE ONE SENTENCE OUT OF CONTEXT. 27 00:01:11,710 --> 00:01:14,119 YOU'RE RIGHT, HONEY. THAT WAS PROBABLY JUST AN ISOLATED INCIDENT. 28 00:01:14,120 --> 00:01:16,079 LET'S SEE HERE. 29 00:01:16,080 --> 00:01:18,040 (hums) 30 00:01:19,000 --> 00:01:20,619 AH... 31 00:01:20,620 --> 00:01:24,119 ALL RIGHT. "DEREK NEVER EARNED HIS WINGS AT FLIGHT SCHOOL, 32 00:01:24,120 --> 00:01:28,290 BUT CLEARLY HE WAS AN EXPERIENCED BUSH PILOT." 33 00:01:30,210 --> 00:01:33,710 OH, HONEY, COME BACK! WAIT, I HAVE TO KNOW HOW THE BOOK ENDS NOW! 34 00:01:36,750 --> 00:01:37,919 (theme music playing) 35 00:01:37,920 --> 00:01:39,999 - ♪ IT'S ALL GOOD ♪ - ♪ All good ♪ 36 00:01:40,000 --> 00:01:41,749 - ♪ IT'S OKAY ♪ - ♪ OKAY ♪ 37 00:01:41,750 --> 00:01:43,289 - ♪ IT'S ALL RIGHT ♪ - ♪ All right ♪ 38 00:01:43,290 --> 00:01:45,119 ♪ AS FAR AS I CAN SEE ♪ 39 00:01:45,120 --> 00:01:46,919 - ♪ IT'S ALL GOOD ♪ - ♪ All good ♪ 40 00:01:46,920 --> 00:01:48,749 - ♪ IT'S OKAY ♪ - ♪ OKAY ♪ 41 00:01:48,750 --> 00:01:50,579 - ♪ IT'S ALL RIGHT ♪ - ♪ All right ♪ 42 00:01:50,580 --> 00:01:55,580 ♪ I GUESS YOU'RE STUCK WITH ME ♪ 43 00:02:01,830 --> 00:02:03,999 - McKENNA. - CALL ME "CASSANDRA." 44 00:02:04,000 --> 00:02:07,079 OH, RIGHT. YOU'RE STAYING IN CHARACTER 24 HOURS A DAY, 45 00:02:07,080 --> 00:02:09,999 BUT YOU KNOW, THIS IS JUST A MEETING BETWEEN THE FILMMAKERS. 46 00:02:10,000 --> 00:02:12,209 WE DON'T NEED ANY ACTORS UNTIL WE SHOOT TOMORROW. 47 00:02:12,210 --> 00:02:13,919 Zander: HEY, BABE, LENNOX IS ON HER WAY OVER. 48 00:02:13,920 --> 00:02:16,709 AND JUST TO REMIND YOU SHE DOESN'T KNOW WE'RE SEEING EACH OTHER, 49 00:02:16,710 --> 00:02:19,330 I'M JUST WAITING FOR THE RIGHT MOMENT TO TELL HER. 50 00:02:20,330 --> 00:02:22,080 'CAUSE I REALLY DON'T THINK SHE'LL BE... 51 00:02:24,080 --> 00:02:25,080 HI, LENNOX. 52 00:02:26,420 --> 00:02:27,619 GUESS WHAT? 53 00:02:27,620 --> 00:02:30,249 OH, I DON'T KNOW. YOU TWO ARE SEEING EACH OTHER? 54 00:02:30,250 --> 00:02:33,079 YES. I WAS JUST WAITING FOR THE RIGHT MOMENT 55 00:02:33,080 --> 00:02:34,960 FOR YOU TO OVERHEAR THAT. (nervous laugh) 56 00:02:36,120 --> 00:02:37,960 AND YOU THOUGHT THIS MIGHT GET AWKWARD. 57 00:02:39,250 --> 00:02:41,079 ZANDER IS SO UNPROFESSIONAL! 58 00:02:41,080 --> 00:02:43,619 HE'S DATING THE GIRL WHO PLAYS CASSANDRA. 59 00:02:43,620 --> 00:02:45,749 AND THAT'S A PROBLEM BECAUSE... 60 00:02:45,750 --> 00:02:47,499 THE CHARACTER'S BASED ON ME. 61 00:02:47,500 --> 00:02:49,919 I MEAN, IT'S SO OBVIOUS WHAT HE'S DOING. 62 00:02:49,920 --> 00:02:51,330 ABSOLUTELY. 63 00:02:52,880 --> 00:02:54,040 NO, I'M LOST. 64 00:02:54,960 --> 00:02:58,209 HE HAD NO INTEREST IN HER WHEN SHE WAS JUST A DITZY CHEERLEADER. 65 00:02:58,210 --> 00:02:59,879 ONCE I TAUGHT HER TO BE LIKE ME... 66 00:02:59,880 --> 00:03:01,499 SHE'S EVEN WEARING MY CLOTHES... 67 00:03:01,500 --> 00:03:03,039 ZANDER TOTALLY FELL FOR HER. 68 00:03:03,040 --> 00:03:05,749 OH, I GET IT. YOU WANT TO GET BACK TOGETHER WITH ZANDER. 69 00:03:05,750 --> 00:03:08,879 NO. I DO NOT HAVE FEELINGS FOR HIM AT ALL. 70 00:03:08,880 --> 00:03:11,169 THAT'S WHY I DON'T WANT HIM GOING OUT WITH ME. 71 00:03:11,170 --> 00:03:12,829 THROUGH HER. 72 00:03:12,830 --> 00:03:14,750 WHILE SHE'S BEING ME. 73 00:03:15,960 --> 00:03:17,960 I BET HE EVEN THINKS ABOUT HER WHEN THEY'RE... (gags) 74 00:03:19,830 --> 00:03:21,919 YOU KNOW, THE SAME EXACT THING HAPPENED 75 00:03:21,920 --> 00:03:23,539 IN THIS NOELLE DEVEREUX NOVEL. 76 00:03:23,540 --> 00:03:25,919 THE MAIN CHARACTER DOMINIQUE TIES UP HER HOUSEBOY ENRICO 77 00:03:25,920 --> 00:03:29,000 AND SHE WILL ONLY FEED HIM IF HE GIVES HER SEXUAL FAVORS. 78 00:03:31,380 --> 00:03:33,830 - HOW IS THAT LIKE WHAT I SAID? - YEAH, IT'S NOT. 79 00:03:35,920 --> 00:03:37,210 I JUST REALLY LOVE TALKING ABOUT THIS BOOK. 80 00:03:41,380 --> 00:03:44,289 THIS IS THE FIRST TIME EVERYONE IN THE BOOK CLUB HAS READ THE WHOLE BOOK. 81 00:03:44,290 --> 00:03:46,459 WHEN I READ YOUR BOOK, I THOUGHT MY WATER BROKE, 82 00:03:46,460 --> 00:03:48,040 BUT IT TURNS OUT I WAS JUST REALLY TURNED ON. 83 00:03:50,920 --> 00:03:52,789 THANK YOU FOR THAT IMAGE, NANCY. 84 00:03:52,790 --> 00:03:55,459 I'M GONNA PUT THAT QUOTE ON THE BACK OF MY NEXT BOOK. 85 00:03:55,460 --> 00:03:58,209 SO WAS DOMINIQUE BASED ON YOU? 86 00:03:58,210 --> 00:04:00,379 WELL, THEY SAY WRITE WHAT YOU KNOW, 87 00:04:00,380 --> 00:04:03,080 HOWEVER, I KNOW A FEW MORE KNOTS THAN DOMINIQUE. 88 00:04:05,750 --> 00:04:06,959 - HEY, JOE. - HEY. 89 00:04:06,960 --> 00:04:09,249 UH, IT'S BOOK CLUB NIGHT, REMEMBER? 90 00:04:09,250 --> 00:04:10,829 OH, YEAH, I FORGOT. YOU KNOW WHY, HONEY? 91 00:04:10,830 --> 00:04:13,750 BECAUSE THE NEON "ADULT BOOKSTORE" SIGN OUTSIDE WASN'T LIT UP. 92 00:04:15,120 --> 00:04:16,880 BECAUSE MY BOOK'S JUST SMUT, RIGHT? 93 00:04:17,920 --> 00:04:20,210 YOU KNOW, IF THE LEATHER MASK FITS. 94 00:04:22,210 --> 00:04:24,419 NOELLE, THIS IS MY HUSBAND, JOE, 95 00:04:24,420 --> 00:04:25,959 - WHO WAS JUST LEAVING. - YEAH. 96 00:04:25,960 --> 00:04:27,619 WAIT. DON'T RUN OFF. 97 00:04:27,620 --> 00:04:28,959 HAVE YOU READ MY WORK? 98 00:04:28,960 --> 00:04:31,379 TRUST ME, I'VE... I'VE READ ENOUGH. 99 00:04:31,380 --> 00:04:32,959 WELL, WHAT DIDN'T YOU LIKE? 100 00:04:32,960 --> 00:04:34,830 YOU CAN TELL ME. I'M NOT EASILY OFFENDED. 101 00:04:38,670 --> 00:04:40,789 NOPE. I'M MARRIED ENOUGH TO KNOW 102 00:04:40,790 --> 00:04:42,420 I'VE GOT NOTHING TO SAY. 103 00:04:44,830 --> 00:04:46,120 (chuckles) MEN. 104 00:04:48,210 --> 00:04:50,329 SEE? I WAS RESPECTFUL TO YOUR GUEST. 105 00:04:50,330 --> 00:04:52,920 - THANK YOU. -NO MATTER WHAT KIND OF CRAP SHE WRITES. 106 00:04:53,920 --> 00:04:55,249 YOU KNOW, I'VE FIGURED IT OUT. 107 00:04:55,250 --> 00:04:56,749 IT'S NOT THAT YOU DON'T LIKE NOELLE'S BOOKS. 108 00:04:56,750 --> 00:04:58,749 - IT'S THAT YOU DON'T GET IT. - OH NO, HONEY, I GET IT. 109 00:04:58,750 --> 00:05:01,709 I GET THAT IT'S THINLY-VEILED, POORLY-WRITTEN LADYPORN. 110 00:05:01,710 --> 00:05:04,209 THE ONLY REASON THAT HACK IS WRITING THIS ONE-HANDED LITERATURE 111 00:05:04,210 --> 00:05:06,120 IS BECAUSE SHE'S NOT TALENTED ENOUGH TO CUT IT... HI! 112 00:05:07,710 --> 00:05:10,829 YOU KNOW, JOE HAS SOME STRONG FEELINGS ABOUT... 113 00:05:10,830 --> 00:05:12,540 J.K. ROWLING. 114 00:05:13,790 --> 00:05:15,919 YES, THE HARRY POTTER BOOKS 115 00:05:15,920 --> 00:05:17,960 ARE JUST THINLY-VEILED POORLY WRITTEN LADYPORN. 116 00:05:18,960 --> 00:05:21,169 WE ALL KNOW WHAT THOSE MAGIC WANDS REALLY SYMBOLIZE. 117 00:05:21,170 --> 00:05:23,289 (forced laughter) 118 00:05:23,290 --> 00:05:24,749 MAGIC... (forced chuckle) 119 00:05:24,750 --> 00:05:26,079 CAN I HELP YOU FIND SOMETHING? 120 00:05:26,080 --> 00:05:28,669 I JUST NEED A QUIET PLACE TO MAKE A QUICK CALL. 121 00:05:28,670 --> 00:05:29,880 RIGHT THROUGH THERE. 122 00:05:34,750 --> 00:05:36,709 GREAT. NOW SHE'S GONNA TELL THE WHOLE BOOK CLUB 123 00:05:36,710 --> 00:05:38,169 WHAT YOU SAID AND THEN THEY'RE GONNA SHUN ME. 124 00:05:38,170 --> 00:05:39,829 THEY'RE GONNA SHUN ME HARD. 125 00:05:39,830 --> 00:05:42,790 - YOU HAVE TO APOLOGIZE TO HER. - OKAY, FINE. 126 00:05:43,710 --> 00:05:45,249 IT WENT TO VOICEMAIL. 127 00:05:45,250 --> 00:05:47,789 CAN YOU BELIEVE HOW SOBER EVERYBODY IS? 128 00:05:47,790 --> 00:05:50,040 I AM GONNA FIX THAT RIGHT NOW. 129 00:05:55,670 --> 00:05:57,709 SO, UM, NOELLE... 130 00:05:57,710 --> 00:06:00,539 SO, LOOK, WHAT I WAS SAYING... 131 00:06:00,540 --> 00:06:02,709 - ABOUT J.K. ROWLING? - YES, YES. 132 00:06:02,710 --> 00:06:05,380 THAT WAS REALLY NOT MEANT FOR YOU TO HEAR AND... 133 00:06:07,580 --> 00:06:09,079 I'M VERY SORRY. 134 00:06:09,080 --> 00:06:10,499 NO YOU'RE NOT. 135 00:06:10,500 --> 00:06:12,290 IN FACT, TELL ME MORE. 136 00:06:13,420 --> 00:06:14,619 WHAT? 137 00:06:14,620 --> 00:06:16,919 I GET FAWNED OVER EVERYWHERE I GO. 138 00:06:16,920 --> 00:06:19,289 I NEVER KNOW IF ANYONE'S EVER BEING HONEST. 139 00:06:19,290 --> 00:06:22,579 FRANKLY, HEARING NEGATIVE THINGS ABOUT MY BOOK 140 00:06:22,580 --> 00:06:24,000 REALLY TURNS ME ON. 141 00:06:25,750 --> 00:06:27,380 COME AGAIN? 142 00:06:28,830 --> 00:06:31,750 TELL ME IT'S CRAP. TELL ME THAT I CAN'T WRITE. 143 00:06:32,750 --> 00:06:35,459 - YEAH. -TELL ME THAT WITH EVERY KEYSTROKE, 144 00:06:35,460 --> 00:06:36,920 I DEGRADE MYSELF. 145 00:06:38,500 --> 00:06:40,880 MAYBE I COULD JUST WRITE YOU A ONE-STAR REVIEW ONLINE SOMEWHERE OR SOMETHING. 146 00:06:44,420 --> 00:06:45,959 NO, JOE. 147 00:06:45,960 --> 00:06:47,710 - TELL ME TO MY FACE. - YEAH. (laughs) 148 00:06:48,710 --> 00:06:49,829 LOOK INTO MY EYES 149 00:06:49,830 --> 00:06:52,580 AND TELL ME THAT I'M A BAD, BAD WRITER. 150 00:06:54,290 --> 00:06:56,920 MY WIFE'S HAVING HER BOOK CLUB LIKE 10 FEET FROM HERE. 151 00:06:57,920 --> 00:07:00,669 - RIGHT, OF COURSE. - YEAH. WHAT ARE YOU... 152 00:07:00,670 --> 00:07:02,789 IN CASE YOU WANT TO CRITICIZE ME LATER. 153 00:07:02,790 --> 00:07:06,710 I WOULD ENJOY YOUR PENETRATING INSIGHT. 154 00:07:08,750 --> 00:07:10,460 CHEESE AND CRACKERS? (forced laugh) 155 00:07:11,580 --> 00:07:13,619 - WHAT? - CHEESE AND CRACKERS. 156 00:07:13,620 --> 00:07:15,710 FOR THE LADIES. TO GO WITH THE WINE. 157 00:07:21,790 --> 00:07:23,039 ALL RIGHT, SO SINCE THIS IS THE FIRST TIME 158 00:07:23,040 --> 00:07:24,459 THAT WE SEE CASSANDRA IN THE MOVIE, 159 00:07:24,460 --> 00:07:26,789 INSTEAD OF JUST FINDING HER THERE BLOGGING, BORING, 160 00:07:26,790 --> 00:07:30,249 WHAT IF SAM USES THIS SCOOTER TO DO, LIKE, A COOL DOLLY SHOT, 161 00:07:30,250 --> 00:07:32,209 SO WE SEE HER WHOLE APARTMENT AND WE DISCOVER HER THERE? 162 00:07:32,210 --> 00:07:34,749 YEAH, THAT'S A MUCH MORE EXCITING WAY TO MEET HER. 163 00:07:34,750 --> 00:07:37,329 - GOOD IDEA, ZANDER. - IT WAS MY IDEA. 164 00:07:37,330 --> 00:07:38,829 REALLY? 165 00:07:38,830 --> 00:07:40,709 WELL, YOU KNOW, IT'S... 166 00:07:40,710 --> 00:07:42,579 IT'S NOT ABOUT THE CREDIT, RIGHT? 167 00:07:42,580 --> 00:07:44,459 - IT'S ABOUT THE GOOD IDEA. - YOU'RE RIGHT. 168 00:07:44,460 --> 00:07:45,540 BUT IT WAS MY IDEA. 169 00:07:47,960 --> 00:07:51,669 OKAY, ZANDER, I THINK I KNOW WHY YOU WANT TO USE McKENNA'S IDEA. 170 00:07:51,670 --> 00:07:52,959 'CAUSE IT'S THE BEST THING FOR THE FILM. 171 00:07:52,960 --> 00:07:54,789 NO, BECAUSE YOU WANT TO GET IN HER PANTS. 172 00:07:54,790 --> 00:07:56,290 WHICH ARE MY PANTS, BY THE WAY. 173 00:07:57,670 --> 00:07:58,789 HEY, CAN WE START SHOOTING? 174 00:07:58,790 --> 00:08:01,039 I GOT TO GET MY GRANDMA'S SCOOTER BACK REAL SOON. 175 00:08:01,040 --> 00:08:03,170 I JUST NOTICED HER OXYGEN TANK'S ATTACHED. 176 00:08:05,170 --> 00:08:06,790 - OKAY, YEAH. - WE SHOULD GO. 177 00:08:09,920 --> 00:08:12,710 HEY, I REALLY APPRECIATE YOU APOLOGIZING TO NOELLE FOR ME. 178 00:08:13,540 --> 00:08:16,709 YEAH, WELL, YOU ASKED ME TO APOLOGIZE, SO, YOU KNOW, THAT'S WHAT I DID. 179 00:08:16,710 --> 00:08:19,709 SO HOW DID SHE REACT? WAS SHE OPEN TO WHAT YOU HAD TO SAY? 180 00:08:19,710 --> 00:08:21,880 YEAH, SHE WAS... SHE WAS OPEN. 181 00:08:23,500 --> 00:08:25,620 UM, WIDE OPEN, ACTUALLY. 182 00:08:27,250 --> 00:08:29,499 - WHAT DOES THAT MEAN? - HONEY, SHE... 183 00:08:29,500 --> 00:08:31,709 SHE DIDN'T CARE ABOUT MY APOLOGY, OKAY? 184 00:08:31,710 --> 00:08:34,669 MY... MY INSULTS TURNED HER ON. 185 00:08:34,670 --> 00:08:36,500 TRUTH IS... 186 00:08:37,670 --> 00:08:39,290 YOUR DIRTY LITTLE BOOK FRIEND HIT ON ME. 187 00:08:40,290 --> 00:08:42,539 OH, PLEASE. YOU THINK EVERY WOMAN'S HITTING ON YOU. 188 00:08:42,540 --> 00:08:44,959 IT'S MY BURDEN. I MEAN... 189 00:08:44,960 --> 00:08:46,920 YOU THINK I'M IRRESISTIBLE BY CHOICE? 190 00:08:48,540 --> 00:08:50,959 UH, I THINK YOU'RE TRYING TO DISTRACT FROM THE REAL ISSUE. 191 00:08:50,960 --> 00:08:54,669 READING ABOUT WOMEN AS POWERFUL AS NOELLE'S CHARACTERS MAKES YOU A LITTLE SQUIRMY. 192 00:08:54,670 --> 00:08:57,249 I THINK YOU HAVE TO ADMIT THAT THIS IS ONE AREA OF THE BEDROOM 193 00:08:57,250 --> 00:08:59,079 WHERE YOU'RE NOT AS LIBERATED AS YOU THINK YOU ARE. 194 00:08:59,080 --> 00:09:02,459 PLEASE, I AM INSANELY COMFORTABLE IN EVERY AREA OF THE BEDROOM. 195 00:09:02,460 --> 00:09:04,419 EXCEPT IF A WOMAN IS IN CHARGE THERE. 196 00:09:04,420 --> 00:09:07,209 I'M TELLING YOU, NOELLE HIT ON ME. I'LL PROVE IT TO YOU. HOLD ON A SECOND. 197 00:09:07,210 --> 00:09:09,419 WAIT, WAIT. HOLD ON. 198 00:09:09,420 --> 00:09:12,170 LOOK AT THAT. SHE GAVE ME HER BUSINESS CARD. SEE THAT? LOOK. 199 00:09:13,170 --> 00:09:17,290 OH. WELL, I GUESS THAT PROVES THAT SHE WANTS ME TOO. 200 00:09:18,290 --> 00:09:20,209 SHE LEFT A WHOLE PILE OF THEM ON THE TABLE 201 00:09:20,210 --> 00:09:22,620 WHICH CLEARLY MEANS NOELLE ALSO WANTS TO GET BUSY WITH THE TABLE. 202 00:09:24,170 --> 00:09:26,250 FROM WHAT I READ IN HER BOOK, ANYTHING WITH LEGS IS FAIR GAME. 203 00:09:30,500 --> 00:09:34,039 SO IF SAM STARTS THE SHOT ON THE POSTER BEHIND THE BED, 204 00:09:34,040 --> 00:09:36,880 - IT'LL FORESHADOW WHAT'S GONNA HAPPEN. - YEAH, THAT'LL BE COOL. 205 00:09:38,790 --> 00:09:40,879 WAIT. WHERE DID THIS IDEA COME FROM? 206 00:09:40,880 --> 00:09:42,829 WHY? DO YOU LIKE THE IDEA OR NOT? 207 00:09:42,830 --> 00:09:44,500 I WANT TO KNOW WHOSE IT WAS. 208 00:09:45,580 --> 00:09:47,209 WAS IT YOURS, McKENNA? 209 00:09:47,210 --> 00:09:48,879 McKENNA. 210 00:09:48,880 --> 00:09:50,460 WHO IS THIS McKENNA? 211 00:09:51,790 --> 00:09:53,419 WAS IT YOURS, CASSANDRA? 212 00:09:53,420 --> 00:09:54,999 OH, YOU'RE TALKING TO ME. 213 00:09:55,000 --> 00:09:56,329 NO. 214 00:09:56,330 --> 00:09:58,329 OH, THEN WHOSE IDEA WAS IT? 215 00:09:58,330 --> 00:10:00,170 MINE. PLEASE DON'T FIRE ME. 216 00:10:01,460 --> 00:10:04,619 NO, A FORESHADOWING POSTER. I LIKE IT. 217 00:10:04,620 --> 00:10:06,669 I JUST WANTED TO KNOW WHO TO THANK. THANKS, SAM. 218 00:10:06,670 --> 00:10:09,539 (cell phone chimes) 219 00:10:09,540 --> 00:10:12,379 OH CRAP. RORY'S NOT COMING. HE'S GOT MONO AGAIN. 220 00:10:12,380 --> 00:10:13,919 WE GOTTA SHOOT THE ONE-NIGHT STAND SCENE TONIGHT 221 00:10:13,920 --> 00:10:16,579 AND WE DON'T HAVE ANOTHER ACTOR TO PLAY THE GUY THAT CASSANDRA HOOKS UP WITH. 222 00:10:16,580 --> 00:10:18,500 I WILL DO IT. 223 00:10:20,420 --> 00:10:22,579 I KNOW WHO WE COULD GET. ZANDER. 224 00:10:22,580 --> 00:10:24,789 WE'VE KIND OF REHEARSED THIS THE PAST FEW DAYS. 225 00:10:24,790 --> 00:10:27,170 - PLUS HE'S THE ONLY GUY HERE. - HEY. 226 00:10:29,420 --> 00:10:31,079 YOU KNOW WHAT? I'LL JUST HAVE TO DO IT. 227 00:10:31,080 --> 00:10:32,669 IT'S WHAT'S BEST FOR THE FILM. 228 00:10:32,670 --> 00:10:34,250 WELL, AREN'T YOU A HERO? 229 00:10:37,330 --> 00:10:38,540 YO. 230 00:10:39,540 --> 00:10:41,919 - PICK WHICH TIE YOU LIKE. - FOR WHAT? 231 00:10:41,920 --> 00:10:44,579 I'M GONNA SHOW YOU THAT I'M NOT THREATENED BY A WOMAN IN CONTROL. 232 00:10:44,580 --> 00:10:47,039 SO GO AHEAD, TIE ME UP. 233 00:10:47,040 --> 00:10:49,079 I CAN DO THAT. HEY, WAIT. 234 00:10:49,080 --> 00:10:51,119 THESE ARE RYDER'S TIES. 235 00:10:51,120 --> 00:10:54,380 YEAH. NO MATTER HOW GOOD THE SEX IS, I'M NOT GONNA RUIN A $300 TIE, SWEETIE. 236 00:10:55,420 --> 00:10:56,710 ALL RIGHT. 237 00:10:58,330 --> 00:11:00,379 THERE. NOW YOU'RE MY PRISONER. 238 00:11:00,380 --> 00:11:02,579 YEAH. SO, LOOK, UM... 239 00:11:02,580 --> 00:11:04,919 MAYBE INSTEAD OF READING ALL THAT EROTICA 240 00:11:04,920 --> 00:11:06,459 YOU SHOULD TRY PICKING UP A BOY SCOUT MANUAL. 241 00:11:06,460 --> 00:11:09,209 - WELL, I CAN DO BETTER? -YOU CAN DO BETTER? SHOW ME. 242 00:11:09,210 --> 00:11:12,289 WHAT DO YOU GOT? OOH, THIS IS TIGHT. 243 00:11:12,290 --> 00:11:14,959 - THERE YOU GO. - NICE. 244 00:11:14,960 --> 00:11:16,709 SO, LOOK, HONEY... 245 00:11:16,710 --> 00:11:18,709 IF YOU EVER ACTUALLY DO GET ME TIED UP, 246 00:11:18,710 --> 00:11:20,579 WHAT ARE YOU PLANNING ON DOING WITH ME? 247 00:11:20,580 --> 00:11:22,830 I DON'T KNOW. WHAT DO YOU WANT ME TO DO TO YOU? 248 00:11:24,420 --> 00:11:27,329 YOU KNOW, HONEY, I'M NOT REALLY SURE IF YOU'RE CLEAR 249 00:11:27,330 --> 00:11:28,999 ON THE ROLE OF THE DOMINATRIX. 250 00:11:29,000 --> 00:11:31,079 THE WAY IT WORKS IS THAT THE DOMINATRIX... 251 00:11:31,080 --> 00:11:32,999 (muffled grunt) 252 00:11:33,000 --> 00:11:35,250 I'VE BEEN WANTING TO DO THAT FOR FOUR YEARS. 253 00:11:38,170 --> 00:11:40,959 - SO, LISTEN... -WHO ARE YOU? HOUDINI? 254 00:11:40,960 --> 00:11:42,249 NO, IT'S JUST THAT... 255 00:11:42,250 --> 00:11:45,119 LOOK, I'VE BEEN DOING SOME THINKING, AND I THINK THAT MAYBE 256 00:11:45,120 --> 00:11:47,499 WE NEED TO BRING SOMEONE ELSE 257 00:11:47,500 --> 00:11:49,919 INTO THE BEDROOM TO HELP US OUT. 258 00:11:49,920 --> 00:11:52,210 OH? 259 00:11:54,290 --> 00:11:57,669 oy Scout: That's how you make proper square knot roop 212 style. 260 00:11:57,670 --> 00:12:00,209 Go Wolverines! 261 00:12:00,210 --> 00:12:02,329 YEP, I THINK SOMEONE JUST EARNED A MERIT BADGE. 262 00:12:02,330 --> 00:12:04,830 ALL RIGHT. OH YEAH. 263 00:12:06,380 --> 00:12:08,959 OH, I NEED WHIP CREAM AND MARSHMALLOWS. 264 00:12:08,960 --> 00:12:11,079 AND GRAHAM CRACKERS. AND CHOCOLATE! 265 00:12:11,080 --> 00:12:13,500 ARE WE GETTING KINKY HERE OR ARE WE MAKING S'MORES? 266 00:12:14,620 --> 00:12:16,289 I CAN MULTITASK. 267 00:12:16,290 --> 00:12:18,000 DON'T MOVE. 268 00:12:25,540 --> 00:12:28,620 (cell phone rings) 269 00:12:30,120 --> 00:12:32,290 OOH. HEY, NANCY. 270 00:12:33,290 --> 00:12:36,120 ARE YOU SURE? YEAH, OKAY, I'LL BE RIGHT THERE. 271 00:12:41,460 --> 00:12:44,209 HEY, JOE? NANCY JUST WENT INTO LABOR, 272 00:12:44,210 --> 00:12:46,879 BOB'S IN FRANCE, AND I HAVE TO DRIVE HER TO THE HOSPITAL. 273 00:12:46,880 --> 00:12:48,379 DO YOU NEED ME TO UNTIE YOU? 274 00:12:48,380 --> 00:12:50,579 PLEASE, HONEY. I GOT THIS! 275 00:12:50,580 --> 00:12:51,960 Mel: OKAY. 276 00:13:01,790 --> 00:13:04,290 Joe: THESE THINGS ARE ACTUALLY TIGHTER THAN I THOUGHT, SWEETIE. 277 00:13:05,830 --> 00:13:07,670 (grunts) 278 00:13:10,290 --> 00:13:12,879 COME ON. 279 00:13:12,880 --> 00:13:15,920 OKAY. OKAY, I'M GONNA JUST GO LIKE... 280 00:13:18,080 --> 00:13:19,080 (grunts) 281 00:13:21,880 --> 00:13:22,880 (grunts) 282 00:13:26,000 --> 00:13:27,330 COME ON! 283 00:13:35,750 --> 00:13:38,170 MEL? JOE? 284 00:13:40,790 --> 00:13:42,709 I THINK I LEFT MY PHONE HERE. 285 00:13:42,710 --> 00:13:44,709 IS ANYBODY HOME? 286 00:13:44,710 --> 00:13:47,209 - HELLO? - MEL! 287 00:13:47,210 --> 00:13:50,080 OH THANK GOD! CAN YOU COME UP HERE PLEASE, HONEY? 288 00:13:55,000 --> 00:13:56,710 NEED A LITTLE HELP IN HERE, HONEY. 289 00:13:57,790 --> 00:13:59,330 MEL? 290 00:14:02,250 --> 00:14:03,670 WELL, HELLO, JOE. 291 00:14:10,880 --> 00:14:12,420 THANKS A LOT, BOY SCOUTS. 292 00:14:17,170 --> 00:14:18,829 WELL, LOOK AT THIS. 293 00:14:18,830 --> 00:14:21,330 CHAPTER SEVEN IN THE FLESH. 294 00:14:22,210 --> 00:14:23,290 I'M WARNING YOU LADY... 295 00:14:24,380 --> 00:14:25,880 MY FEET ARE DEADLY WEAPONS. 296 00:14:27,000 --> 00:14:29,419 OH SURE. ACT LIKE YOU DON'T WANT THIS. 297 00:14:29,420 --> 00:14:31,039 I DON'T. I DON'T WANT THIS. 298 00:14:31,040 --> 00:14:32,669 I CAN READ BETWEEN THE LINES. 299 00:14:32,670 --> 00:14:34,669 THERE ARE NO LINES, ALL RIGHT? GET AWAY FROM ME. 300 00:14:34,670 --> 00:14:37,329 YOU'RE A TERRIBLE PERSON. YOU WRITE TERRIBLE BOOKS. 301 00:14:37,330 --> 00:14:39,209 TERRIBLE? 302 00:14:39,210 --> 00:14:41,329 THAT'S A LITTLE HARSH. 303 00:14:41,330 --> 00:14:43,119 COME ON, LOOK AT YOU. YOU WRITE SMUT. 304 00:14:43,120 --> 00:14:45,119 YOU THREATENED A MAN IN HIS OWN HOME. 305 00:14:45,120 --> 00:14:46,999 I WRITE FEMININE EROTICA. 306 00:14:47,000 --> 00:14:49,039 YOU CAN'T EVEN ADMIT WHAT YOU DO. LADY... 307 00:14:49,040 --> 00:14:50,790 YOU WRITE PORN! 308 00:14:52,170 --> 00:14:54,079 I KNOW, I KNOW! 309 00:14:54,080 --> 00:14:55,749 I WANTED TO WRITE CHILDREN'S BOOKS, 310 00:14:55,750 --> 00:14:57,539 BUT THE MARKET IS OVERSATURATED. 311 00:14:57,540 --> 00:14:59,379 OH, I'M LIVING A LIE. 312 00:14:59,380 --> 00:15:01,499 I FEEL SO EMBARRASSED. 313 00:15:01,500 --> 00:15:03,829 (crying) OH GOD, OH GOD. 314 00:15:03,830 --> 00:15:06,579 EXCUSE ME. BEFORE YOU FALL COMPLETELY APART, CAN YOU MAYBE UNTIE ME? 315 00:15:06,580 --> 00:15:09,829 OH GOD. "NOELLE DEVEREUX" ISN'T EVEN MY REAL NAME. 316 00:15:09,830 --> 00:15:11,919 I'M REALLY SUZY DORFMAN. 317 00:15:11,920 --> 00:15:13,579 MY PUBLISHER DIDN'T THINK THAT WAS SEXY ENOUGH. 318 00:15:13,580 --> 00:15:15,919 I GOT LUCKY WITH ONE BOOK 319 00:15:15,920 --> 00:15:18,119 AND NOW I HAVE THIS IMAGE TO MAINTAIN. 320 00:15:18,120 --> 00:15:19,539 I'M NOT INTO BONDAGE. 321 00:15:19,540 --> 00:15:22,119 I DON'T EVEN LIKE PUTTING A LEASH ON MY DOG. 322 00:15:22,120 --> 00:15:24,619 (crying) 323 00:15:24,620 --> 00:15:27,169 NOELLE, SUZY... WHOEVER YOU ARE. 324 00:15:27,170 --> 00:15:29,379 I'M REALLY STARTING TO LOSE FEELING IN MY HANDS. 325 00:15:29,380 --> 00:15:31,209 OF COURSE, OF COURSE. I'M SO SORRY. 326 00:15:31,210 --> 00:15:33,709 - OKAY. - WOW, THAT'S REALLY TIGHT. 327 00:15:33,710 --> 00:15:35,919 YEAH, IT IS. YEAH. 328 00:15:35,920 --> 00:15:37,960 - LET ME GET ON TOP. - ALL RIGHT. 329 00:15:39,250 --> 00:15:41,249 IS THAT THE BEST YOU CAN DO? YOU'RE NOT EVEN GETTING IT OFF. 330 00:15:41,250 --> 00:15:43,749 IF YOU'D STOP RESISTING AND START RELAXING... 331 00:15:43,750 --> 00:15:45,330 - Joe: I... - (grunts) 332 00:15:47,120 --> 00:15:49,169 - WHAT THE HELL? - MEL! 333 00:15:49,170 --> 00:15:51,670 HONEY... HEY, THIS IS NOT REALLY WHAT IT LOOKS LIKE. 334 00:15:52,670 --> 00:15:54,749 NOELLE STOPPED BY BECAUSE SHE LOST HER PHONE. 335 00:15:54,750 --> 00:15:57,169 IT'S TRUE. I LEFT IT HERE, BUT I... 336 00:15:57,170 --> 00:15:58,170 I JUST DON'T REMEMBER WHERE. 337 00:15:58,171 --> 00:16:00,209 AND YOU THOUGHT BOUNCING ON MY HUSBAND 338 00:16:00,210 --> 00:16:01,460 MIGHT JOG YOUR MEMORY? 339 00:16:05,210 --> 00:16:08,079 SO, CASSANDRA, YOU JUST MET MY CHARACTER AT A PARTY, 340 00:16:08,080 --> 00:16:10,169 AND YOU THINK HE'S PRETTY CUTE. 341 00:16:10,170 --> 00:16:12,080 ACTUALLY, SHE'S JUST DRUNK. 342 00:16:13,580 --> 00:16:14,960 THANK YOU. 343 00:16:16,920 --> 00:16:19,119 SO WE'RE ABOUT TO MAKE OUT AND IT'LL DISSOLVE TO THE SHOES BY THE BED 344 00:16:19,120 --> 00:16:20,749 JUST LIKE THE FORESHADOWING POSTER. 345 00:16:20,750 --> 00:16:22,669 THAT WAS MY IDEA. 346 00:16:22,670 --> 00:16:24,170 I KNOW, SAM. SHUT UP. 347 00:16:27,040 --> 00:16:29,290 AND WE'RE ROLLING. 348 00:16:32,790 --> 00:16:35,459 - THIS IS THE PART WHERE YOU SAY ACTION, LENNOX. -YEAH, I'M GETTING THERE. 349 00:16:35,460 --> 00:16:37,500 ACTION OR WHATEVER. 350 00:16:38,710 --> 00:16:41,079 YOU KNOW, I... I DON'T EVEN KNOW YOUR NAME. 351 00:16:41,080 --> 00:16:44,249 AND YOU DON'T NEED TO. NOW SHUT UP AND MAKE YOURSELF USEFUL. 352 00:16:44,250 --> 00:16:46,789 - CUT! -WHAT... WHAT... WHAT'S WRONG? 353 00:16:46,790 --> 00:16:49,459 NOTHING. THAT WAS A GREAT TAKE. I THINK WE GOT IT. 354 00:16:49,460 --> 00:16:52,119 - ALL RIGHT, MOVING ON. - WHOA, WHOA, WHOA. 355 00:16:52,120 --> 00:16:55,119 NO, NO, 'CAUSE IT SAYS IN THE SCRIPT THAT CASSANDRA 356 00:16:55,120 --> 00:16:57,619 AND ONE-NIGHT-STAND GUY KISS PASSIONATELY. 357 00:16:57,620 --> 00:16:59,039 ACTUALLY... 358 00:16:59,040 --> 00:17:02,419 IT SAYS THAT CASSANDRA KISSES THE STRANGER LIKE HIS TONGUE IS A LIFE-SAVING ELIXIR 359 00:17:02,420 --> 00:17:04,210 AND SHE'LL DIE IF SHE DOESN'T SWALLOW IT WHOLE. 360 00:17:08,670 --> 00:17:11,119 OKAY, YOU KISSED. WE GET THE IDEA. 361 00:17:11,120 --> 00:17:13,709 CAN I TALK TO MY CO-DIRECTOR... 362 00:17:13,710 --> 00:17:15,330 IN THERE? 363 00:17:18,170 --> 00:17:21,119 OOOH-HOO-HOO-HOO. 364 00:17:21,120 --> 00:17:23,119 I THOUGHT YOU DIDN'T HAVE A PROBLEM WITH ME AND McKENNA DATING. 365 00:17:23,120 --> 00:17:25,039 I DON'T. WHAT MAKES YOU SAY THAT? 366 00:17:25,040 --> 00:17:26,999 COME ON. YOU'RE RUINING A KEY PART OF THE FILM 367 00:17:27,000 --> 00:17:28,879 JUST BECAUSE YOU DON'T WANT TO SEE ME AND McKENNA KISS. 368 00:17:28,880 --> 00:17:30,209 YOU REALLY WANT ANOTHER TAKE? 369 00:17:30,210 --> 00:17:31,749 YES, I THINK THE INTEGRITY OF YOUR SCRIPT 370 00:17:31,750 --> 00:17:32,999 AND THE MOMENT DEMANDS IT. 371 00:17:33,000 --> 00:17:35,210 (mocking) OH, "INTEGRITY OF MY SCRIPT." 372 00:17:36,540 --> 00:17:38,080 FINE. LET BABY HAVE HIS BOTTLE. 373 00:17:39,460 --> 00:17:41,829 I'M SORRY. I'M NOT A BAD PERSON. 374 00:17:41,830 --> 00:17:44,919 I'VE JUST BEEN PLAYING THIS CHARACTER THAT'S NOT ME, 375 00:17:44,920 --> 00:17:46,919 AND THINGS JUST GOT OUT OF HAND. 376 00:17:46,920 --> 00:17:48,789 - PLEASE BELIEVE ME. - IT'S OKAY, NOELLE. 377 00:17:48,790 --> 00:17:51,120 OH, AND HERE'S YOUR PHONE. 378 00:17:52,120 --> 00:17:54,380 CALL ME SUZY. I'M REALLY SUZY. 379 00:17:55,580 --> 00:17:58,419 I PROMISE I'M GONNA STOP WRITING THIS TRASH. 380 00:17:58,420 --> 00:18:02,380 OH, WAIT. NOT BEFORE YOU FINISH WRITING LOVE AND BONDAGE 2, RIGHT? 381 00:18:06,080 --> 00:18:07,749 WHAT ARE YOU SMILING FOR? 382 00:18:07,750 --> 00:18:09,499 OH, BECAUSE SHE'S A BIG PHONY. 383 00:18:09,500 --> 00:18:12,079 WHY CAN'T YOU LET THIS GO? WHAT IS REALLY BOTHERING YOU? 384 00:18:12,080 --> 00:18:14,379 YOU WANT TO KNOW WHAT'S BOTHERING ME? I DON'T UNDERSTAND 385 00:18:14,380 --> 00:18:16,750 WHY YOU NEED TO KEEP READING THIS PORN. 386 00:18:17,750 --> 00:18:20,079 I DON'T UNDERSTAND WHY YOU NEED TO LOOK AT ALL THOSE LINKS 387 00:18:20,080 --> 00:18:21,380 THAT CHARLIE'S ALWAYS SENDING YOU. 388 00:18:22,380 --> 00:18:23,920 I NEVER OPEN UP THOSE PICTURES. 389 00:18:26,170 --> 00:18:27,580 ONE IN TEN. 390 00:18:29,290 --> 00:18:31,039 ALL RIGHT, FIVE IN TEN. 391 00:18:31,040 --> 00:18:32,539 SO, WE AGREE. 392 00:18:32,540 --> 00:18:34,579 MEN AND WOMEN EACH HAVE THEIR OWN PORN. 393 00:18:34,580 --> 00:18:37,079 YEAH, FINE, WE DO. BUT WE DON'T HAVE CLUBS DEVOTED TO IT. 394 00:18:37,080 --> 00:18:40,959 ALL RIGHT? GUYS, YOU KNOW, WE ENJOY OUR PORN ALONE AND ASHAMED 395 00:18:40,960 --> 00:18:42,209 JUST LIKE GOD INTENDED. 396 00:18:42,210 --> 00:18:46,419 MY POINT IS, CLEARLY, DIFFERENT THINGS TURN ON MEN AND WOMEN. 397 00:18:46,420 --> 00:18:49,079 FINE, I GET IT. ALL RIGHT, MEN, WE LIKE OUR PICTURES. 398 00:18:49,080 --> 00:18:50,789 WOMEN, YOU ALL LIKE YOUR STORIES. 399 00:18:50,790 --> 00:18:53,620 YES, BECAUSE MEN ARE VISUAL AND WOMEN ARE BETTER. 400 00:18:57,210 --> 00:18:58,329 ALL RIGHT. 401 00:18:58,330 --> 00:19:01,379 YOU LIKE STORIES, HUH? 402 00:19:01,380 --> 00:19:03,919 I GOT A STORY FOR YOU. 403 00:19:03,920 --> 00:19:06,709 IT'S ABOUT THIS INCREDIBLY HANDSOME 404 00:19:06,710 --> 00:19:10,919 FORMER WALL STREET TITAN WHO WAS IN DESPERATE NEED OF A JOB. 405 00:19:10,920 --> 00:19:12,249 NOT NOW, NOT GONNA HAPPEN. 406 00:19:12,250 --> 00:19:13,539 YOU'RE GONNA WANNA HEAR THIS STORY 407 00:19:13,540 --> 00:19:14,829 BECAUSE IT'S GOT AN AMAZING ENDING. 408 00:19:14,830 --> 00:19:17,039 SO, ONE DAY, THIS, UM... 409 00:19:17,040 --> 00:19:19,119 THIS... 410 00:19:19,120 --> 00:19:21,169 AMAZINGLY MASCULINE MAN, 411 00:19:21,170 --> 00:19:23,580 BUILDING WITH MALENESS. 412 00:19:24,670 --> 00:19:26,539 SHOWED UP AT THE DOOR OF THIS 413 00:19:26,540 --> 00:19:28,709 VERY, VERY ACCOMPLISHED BLONDE. 414 00:19:28,710 --> 00:19:30,579 - WAS SHE HOT? - SMOKING. SMOKING. 415 00:19:30,580 --> 00:19:32,669 - OKAY, THEN GO ON. - OKAY, ALL RIGHT. 416 00:19:32,670 --> 00:19:35,329 SO, OBVIOUSLY SHE HIRED HIM IMMEDIATELY. 417 00:19:35,330 --> 00:19:38,499 AND EVERY MORNING, HE WOULD MAKE HER COFFEE. 418 00:19:38,500 --> 00:19:39,879 AND HE WOULD WATCH HER AS SHE BROUGHT 419 00:19:39,880 --> 00:19:41,749 THAT CUP OF COFFEE TO HER LIPS. 420 00:19:41,750 --> 00:19:44,669 AND AS SHE TOOK THAT CUP OF COFFEE 421 00:19:44,670 --> 00:19:48,459 AND SLOWLY DRANK THAT THICK, DARK, BROWN LIQUID... 422 00:19:48,460 --> 00:19:50,669 NO, NO, NO. NO, NO. NOT SEXY. 423 00:19:50,670 --> 00:19:53,619 I'M SORRY, THIS IS MY... IT'S MY FIRST NOVEL. 424 00:19:53,620 --> 00:19:55,619 WILL YOU JUST GIVE ME A BREAK, HERE? ALL RIGHT, OKAY. 425 00:19:55,620 --> 00:19:57,959 SO... SO EVERY MORNING, 426 00:19:57,960 --> 00:20:00,419 AS SHE WOULD DRINK HER COFFEE, 427 00:20:00,420 --> 00:20:02,959 SHE WOULD LOOK ACROSS HER CUP 428 00:20:02,960 --> 00:20:06,879 AT THAT INSANELY RIPPED MAN AND SHE WOULD WONDER 429 00:20:06,880 --> 00:20:09,040 WHAT IT WOULD FEEL LIKE IF HE WAS... 430 00:20:10,210 --> 00:20:13,829 UP AGAINST HER, PRESSING HER WITH ALL OF HIS... 431 00:20:13,830 --> 00:20:15,040 MALE... 432 00:20:17,000 --> 00:20:18,500 MALE... 433 00:20:20,500 --> 00:20:21,580 MALENESS. 434 00:20:24,880 --> 00:20:26,079 OKAY, NOT BAD. 435 00:20:26,080 --> 00:20:28,999 BUT, I DON'T KNOW, IT'S NOT GOING ON MY NIGHTSTAND JUST YET. 436 00:20:29,000 --> 00:20:30,879 WELL, ONE NIGHT IN NEW JERSEY, 437 00:20:30,880 --> 00:20:33,289 THIS HOT STUD COULDN'T TAKE IT ANYMORE. 438 00:20:33,290 --> 00:20:36,919 AND HE GAVE IN TO HIS DESIRE TO HAVE THIS HOT BLONDE. 439 00:20:36,920 --> 00:20:38,709 AT THAT MOMENT, 440 00:20:38,710 --> 00:20:42,209 HIS LIPS TOUCHED HERS FOR THE FIRST TIME... 441 00:20:42,210 --> 00:20:44,379 - BINGO! UPSTAIRS, NOW. - WAIT A MINUTE! 442 00:20:44,380 --> 00:20:45,919 I'M NOT FINISHED. 443 00:20:45,920 --> 00:20:46,920 YOU BETTER NOT BE. 444 00:21:00,830 --> 00:21:02,379 (Zander moans) 445 00:21:02,380 --> 00:21:04,499 YOU WROTE ONE STEAMY SCENE, LENNOX. 446 00:21:04,500 --> 00:21:06,750 AND THEY ARE NAILING IT. 447 00:21:10,920 --> 00:21:12,829 MUST BE AWESOME TO HAVE YOUR VISION REALIZED. 448 00:21:12,830 --> 00:21:14,289 YEAH, YOU KNOW WHAT ELSE I'M VISUALIZING? 449 00:21:14,290 --> 00:21:15,500 YOU SHUTTING UP. 450 00:21:17,960 --> 00:21:19,580 WELL, I DON'T THINK THEY'RE ACTING.